"Floyd's work is smart and savvy, graceful and tough.  Her pictures lace 
the firmest abstraction with a graceful understanding of the historical origins 
of contemporary art.  To do so, she employs a vast arsenal of found objects, 
each one rife with the suggestive power of age and use and happenstance."   

                                                                 Patricia Rosoff (Hartford Advocate)

With minimal manipulation, Floyd reveals the uncommon beauty of 
decayed materials and their equivalents to human gesture in 
expressionistic art forms.
                                                                                    Sculpture Magazine

Floyd's strength is found in her ability to regenerate the common and 
overlooked details of the everyday world. She reminds us that beauty 
can be found in anything, if one takes the time to look.
                                                    Jude Schwendenwein (Art New England)

These are not images invented in paint, but rather, fabricated purely from 
chance-discovered elements. Yet there cannot be lovelier trash anywhere--
material stained and worn soft by human contact; stuff crackled and trampled 
upon, objects rusted, weathered, flattened underfoot, and brimming, consequently, 
with an inescapable fingerprint of life transpiring. There is genuine poetry in 
this work, born of the artist's double sense for rhythm and serendipity.
                                                                  Patricia Rosoff (Hartford Advocate)